
Rémi Vauthrin
Film producer and post-production technician. At CINEMA POVERA (Paris/Berlin), I produce, edit and color grade fiction films, documentaries and art videos. I also develop Gilgamesh, film preparation software.
/ Background
A brief overview of my professional path.
Creator & Developer
Creator and developer of Gilgamesh, film preparation software that links writing to shooting: screenplay, characters, locations, shot list, floor plans and sides in one project. Initially designed to write and prepare the films of CINEMA POVERA, it is now open to other filmmakers.
Founder & President
Founder and President of CINEMA POVERA, an artists’ collective formed in 2020 and established as a production company in 2024. Inspired by Arte Povera, we support films rooted in materiality, gesture, and a close attention to reality. We produce fiction films, documentaries, music videos, and art videos shaped by experimentation and singular forms.
Technical Director
Goodseed Production, Paris
Provided editing assistance for large-scale projects, along with archiving, editing, and color grading services for private and public institutional clients.
Post-Production and Events Coordinator
Archipel, Lyon
Worked as a documentary editor while contributing to the restructuring of the events division of the association. Co-organized film evenings and provided editing assistance and technical support.
Head of Video Department
Art.Ist, Dijon
Led the video department for nightlife events. Designed and archived a video library of several hundred videos, installed equipment, and prepared scenographic setups including VJing and projection mapping.
Editor & Assistant Editor
Lupa Film GmbH, Berlin
Worked on commercials, fiction short films, and contemporary art projects as editor and assistant editor. Also contributed to the editing of the making-of documentary for Michael Haneke’s Happy End, took part in the creation of a series pilot for ARTE, and collaborated with international teams.
Editor & Colorist
Blue Bird Production, Paris
Edited and color graded documentaries and reportage projects, including over 25 short documentary formats (8 minutes) and three 52-minute films focused on UNESCO World Heritage sites. Also contributed to team workflow development and project archiving.
Editor & Assistant Editor
Ping Pong, Paris
Music and art videos. Handled archiving, conforming, and motion graphics finishing. Contributed to the McLaren “Mur à mur” competition, involving projection mapping on notable buildings in Montreal (Quebec), one of which won an award.
Graduate in Editing, Compositing, and Color Grading
3IS, Élancourt
Completed a three-year professional training program at the International Institute of Image and Sound, graduating with a French Level II qualification, equivalent to EQF Level 6. Thesis on editing and fragmented narrative structures.
Science Baccalaureate Student
Lycée Gustave Eiffel, Dijon
French Baccalaureate in Science and Life Sciences, awarded with honors.
Creator & Developer
Creator and developer of Gilgamesh, film preparation software that links writing to shooting: screenplay, characters, locations, shot list, floor plans and sides in one project. Initially designed to write and prepare the films of CINEMA POVERA, it is now open to other filmmakers.
Founder & President
Founder and President of CINEMA POVERA, an artists’ collective formed in 2020 and established as a production company in 2024. Inspired by Arte Povera, we support films rooted in materiality, gesture, and a close attention to reality. We produce fiction films, documentaries, music videos, and art videos shaped by experimentation and singular forms.
Technical Director
Goodseed Production, Paris
Provided editing assistance for large-scale projects, along with archiving, editing, and color grading services for private and public institutional clients.
Post-Production and Events Coordinator
Archipel, Lyon
Worked as a documentary editor while contributing to the restructuring of the events division of the association. Co-organized film evenings and provided editing assistance and technical support.
Head of Video Department
Art.Ist, Dijon
Led the video department for nightlife events. Designed and archived a video library of several hundred videos, installed equipment, and prepared scenographic setups including VJing and projection mapping.
Editor & Assistant Editor
Lupa Film GmbH, Berlin
Worked on commercials, fiction short films, and contemporary art projects as editor and assistant editor. Also contributed to the editing of the making-of documentary for Michael Haneke’s Happy End, took part in the creation of a series pilot for ARTE, and collaborated with international teams.
Editor & Colorist
Blue Bird Production, Paris
Edited and color graded documentaries and reportage projects, including over 25 short documentary formats (8 minutes) and three 52-minute films focused on UNESCO World Heritage sites. Also contributed to team workflow development and project archiving.
Editor & Assistant Editor
Ping Pong, Paris
Music and art videos. Handled archiving, conforming, and motion graphics finishing. Contributed to the McLaren “Mur à mur” competition, involving projection mapping on notable buildings in Montreal (Quebec), one of which won an award.
Graduate in Editing, Compositing, and Color Grading
3IS, Élancourt
Completed a three-year professional training program at the International Institute of Image and Sound, graduating with a French Level II qualification, equivalent to EQF Level 6. Thesis on editing and fragmented narrative structures.
Science Baccalaureate Student
Lycée Gustave Eiffel, Dijon
French Baccalaureate in Science and Life Sciences, awarded with honors.
/ Featured Projects
A selection of professional projects, finished works, and personal explorations.
In progress

Ce qui reste des joursby Paul Mollin
My roleEditor & colorist
A documentary about Danièle, an elderly woman who lives alone in the countryside and is gradually losing her sight due to an irreversible eye disease. As blindness approaches, her relationship to the world begins to shift: memories resurface, fears of dependency grow, and everyday gestures, plants, light, and seasons take on a new intensity. The film explores how life persists even as the visible world begins to fade.

Prière exaucéeby Paul Mollin
My roleProducer
In the bustle at the end of mass, Elena joins her younger brother Antoine in the church where he serves as a priest. Abandoned as children by their father, Elena tells her brother that they finally have the opportunity to meet him. This choice divides the two young adults, caught between their personal hopes and their family wounds.

Rob d'Acby Paul Mollin
My roleProducer, editor & colorist
Robert Menot, known as Rob d’Ac, was a French illustrator and advertising artist born in 1891 in Acy-en-Multien. Trained as an engineer, he never abandoned his passion for drawing. After the First World War, he settled in Grenoble, where he became an essential local figure, creating posters, advertisements, illustrations, and children’s books. Inventive and demanding, he explored the art of signs, colors, and forms, blending poetry and graphic design in works such as his “zoomorphs” and “animots.” He died in 1963, leaving behind a rich and vibrant body of work, now preserved by his descendants.
Finished projects

Gilgameshby Rémi Vauthrin
My roleCreator & developer
Gilgamesh is film preparation software that links writing to shooting: screenplay, characters, locations, shot list, floor plans and sides in one project. Hosted in France, no AI training. Public alpha since November 2026.

Fast Forwardby Quentin Muteau
My roleEditor
Laurent decides to give up his SUV and take up cycling again. Setting off on the road with his son Axel in a trailer behind him, the two of them set out to bring the old machine they ride into the modern age. A race toward modernization is underway, will anyone be able to stop it in time?

Memories of a Burnt Flowerby Vincent Jondeau
My roleColorist
A flower locked inside its seed since the 19th century decides to set out to discover our world. This new birth confronts it with the vision of a possible end. The withered flower represents the natural, perpetual, and cyclical time of living beings, while the burnt flower represents the time of contemporary humanity, which destroys the planet and life.

Oks Rouge - 50/50by Paul Mollin
My roleEditor & colorist
Music video for the artist Oks Rouge.

628 Years of Potatoesby Vincent Jondeau
My roleColorist
An urban wasteland in a poor, peripheral district of Berlin becomes the ground for the unconventional quest of a young woman named Marina. Neglected for years due to the exorbitant price demanded by its owner, the land comes back to life when she plants potatoes and beans there, and street children join her to help transform the place. As she connects with the land, she embarks on a poetic and documentary search for the value of the earth.

Disconnexionby Robin Bertino
My roleProduction manager
In a world where dance has disappeared, Zarco receives the disco ball that he hopes will bring dance back to life. When this fails, his assistant Vince discovers, through an electrical shock, the solution to their quest for dance.

A Quend l'amourby Robin Bertino
My roleProduction manager
In Quend, a small seaside resort, Yvon enjoys watching romantic comedies. Momo, on the other hand, is living his own little summer love story with Maëva. He shakes up his friend’s routine by introducing him to Lorraine. A love story then unfolds on the beaches of Picardy.

The Angels of the Earthby Emmanuel Errard
My roleEditor
This cinematic work retraces the ten-year journey around the world undertaken by Emmanuel, Clémence, and their son Jul. In 2012, Jul, then 8 years old, began this extraordinary journey. Along the way, he met 99 individuals committed to protecting the environment. The journey ended in 2022 on his 18th birthday, with a bicycle crossing of the United States.

Du bout des lèvres - Teaserby Adrien Boyer
My roleTrailer editor
Rémy Savage, several times crowned Best Bartender in the World, shares his craft through the creations he serves at Bar Nouveau. Through him, we discover the world of cocktails and mixology, the history of these practices, and his vision of the bartender’s profession today.

Jesus ne tremble pasby Olivier Lambert
My roleEditing consultant
Jésus, world champion of cup-and-ball, sees his life turned upside down when he learns that he has Parkinson’s disease.

Sistersby Paul Mollin
My roleEditor & colorist
A short film built around a performance of Piano Concerto No. 2, Op. 18 by Sergei Rachmaninoff, performed by Anna Fedorova.

Echoes of the Moonby Vincent Jondeau
My roleColorist
Under the fertile, maternal gaze of the moon, a young human couple is confronted with the question of a possible birth. Within their habitat—made of soils, waters, and clouds—a mysterious breath moves, passing through lives that appear to be separate.

Adieuby Paul Mollin
My roleEditor & colorist
A strange bond unites the destinies of two women of different ages. Two intimate strangers, two solitudes: that of an elderly woman abandoned in her home and her memories, and that of a young woman fleeing into the undergrowth.

Underground Pathsby Paul Mollin
My roleColorist
In a post-apocalyptic world ravaged by disasters, a young man struggles with exhaustion and anxiety. Withdrawn into the depths of his mind, he writes in his notebooks with a tormented pen, exploring the scandals of the human condition. Will he manage to rise out of this tomb?

Phoebusby Maxime Leblanc
My roleColorist
Phoebus is a music video dealing with the theme of fire. Directed by Maxime Leblanc, it was shot at the Saint-Michel Chapel in Brasparts (Finistère) as well as at the Brennilis nuclear power plant, currently being dismantled.

Dhakira, les cris de la penséeby Dhakira
My roleColorist
Video created to promote Dhakira’s latest EP, “Cries of Thought”, on social media.

Pansy Magazineby Saint-Ambroise
My roleColorist
Promotional video for Pansy, an online magazine aimed at men, seeking to redefine the codes of masculinity and femininity. By focusing on the contemporary man, Pansy aims to move beyond the rigid categories traditionally associated with these notions and to encourage openness and diversity.

Brazilian Cinema, a Political Perspectiveby Isadora Liborio
My roleEditor & colorist
A film-debate evening organized in 2018 around the rise of the far right in Brazil, featuring the screening of four short films.

TEDx: Wake Up Callby Emmanuelle Badet
My roleEditor & colorist
Every day, tens of thousands of people are working to change the world. These people, like you and me, were first asleep in their daily routine, until one day their alarm went off. A TEDx project built around the idea of awakening in the face of change. It includes a promotional film as well as the capture of a TED conference featuring seven speakers.

Why Not Katia?by Claudia Allemand
My roleEditor
"Why Not Katia?" is a reportage created for the ASDAE association to raise funds to help the village of Katia, in Côte d'Ivoire, rebuild infrastructure destroyed by war. ASDAE uses a humanitarian intervention method that involves local communities and public authorities in the construction of health-related projects, a particularly effective approach in disadvantaged areas such as Katia, located in the north of Côte d'Ivoire.

Happy Endby Michael Haneke
My roleEditor
Making-of documentary of Michael Haneke’s film “Happy End”.

Iguazuby Jacques Vichet
My roleEditor & colorist
The wild beauty of the place is undeniably a setting of paradise, perhaps even an image of the Earth as it may have been before humankind tried to tame it.

Teotihuacanby Jacques Vichet
My roleEditor & colorist
The wild beauty of the place is undeniably a setting of paradise, perhaps even an image of the Earth as it may have been before humankind tried to tame it.

Open Windowsby François Bulleté
My roleEditor & colorist
Louise tells her husband, Jean, that she has cheated on him. But recently, Jean has reconnected with his former youthful love, Anouk.

McLaren 'Mur à mur': Caprice in Colorsby Jaïs Oof Elalouf
My roleEditor
Video created for the “McLaren Mur à mur” competition, a creative event highlighting the work of Norman McLaren, projection-mapped onto various landmarks in Montreal.

McLaren 'Mur à mur': Neighbours of Furyby Jaïs Oof Elalouf
My roleEditor
Video created for the “McLaren Mur à mur” competition, a creative event highlighting the work of Norman McLaren, projection-mapped onto various landmarks in Montreal.

McLaren 'Mur à mur': Spheresby Jaïs Oof Elalouf
My roleEditor
Video created for the “McLaren Mur à mur” competition, a creative event highlighting the work of Norman McLaren, projection-mapped onto various landmarks in Montreal.

McLaren 'Mur à mur': Synchromieby Jaïs Oof Elalouf
My roleEditor
Video created for the “McLaren Mur à mur” competition, a creative event highlighting the work of Norman McLaren, projection-mapped onto various landmarks in Montreal.
/ Expertise
Tools and skills, organized by field and practice.
Editing, Color & Finishing
Compositing & Motion
Media Workflow, Archiving & Delivery
AI, Enhancement & Automation
Software & Web Development
Systems & Technical Environment
Production Support
Languages
/ Contact
I'm always open to discussing new projects and opportunities.
Feel free to reach out.
www.linkedin.com/in/remi-vauthrin
contact@remivauthrin.fr
+33626717782
CINEMA POVERA
www.cinema-povera.fr
Gilgamesh
gilgamesh-app.com/en/
Rémi Vauthrin © 2026